Rooted in absolute non-figuration, this radical artwork operates within the strict principles of concrete art, where the canvas relies solely on its own physical and structural presence. As a pure monochrome, the custom-shaped structure is entirely self-sufficient, rejecting any narrative or representation.

Spanning a 2 m wingspan, the composition features an intricate, angular silhouette defined by a sequence of sharp, stepped edges dictated by an underlying mathematical isometric grid. The uniform, solid black surface eliminates all texture and painterly detail, focusing the viewer’s attention entirely on the tension between the radical flatness of the form and the volume of the wall it occupies.

By transforming the traditional frame into an autonomous geometric entity, the work establishes a powerful, silent graphic dialogue with his environment.

For the viewer seeking external meaning or representation, any resemblance between this aerodynamic profile and the engineering of a B-2 Spirit bomber is strictly coincidental… this remains nothing more, and nothing less, than a neutral exercise in pure geometric form.